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Mark Manders Rokin fountain
Mark Manders
Engelstalige uitgave over de ontstaansgeschiedenis van de fontein op het Rokin in Amsterdam, ontworpen door kunstenaar Mark Manders (1968).
Non-fictie
Engels | 14 pagina's | Roma Publications, Amsterdam | 2017
Gedrukt boek
Leo van den Bergh Geboren fotograaf
Oss en de wijde wereld door de ogen van Leo van den Bergh (1912-2009)
Non-fictie
Nederlands | 224 pagina's | Uitgeverij Iris, Berghem | 2017
Gedrukt boek
Daan Scholte 65+ Eftelinguitje voor een oudje
met fotoserie van 30 juli 1952 van fotograaf Daan Scholte
Non-fictie
Nederlands | 48 pagina's | Stichting StuipZand, Loon op Zand | 2017
Gedrukt boek
Willemijn Stokvis Cobra
the history of a European avant-garde movement 1948-1951
Geschiedenis van het ontstaan, de theorieën en de ontwikkeling van de kunstbeweging van na de Tweede Wereldoorlog tot ver daarna.
Non-fictie
Engels | 416 pagina's | nai010 publishers, Rotterdam | 2017
Gedrukt boek
Rick Arnold Ink issues
an homage to tattooed women
Fotoboek van de Rotterdamse fotograaf Rick Arnold als eerbetoon aan vrouwen met tatoeages. Alle foto's zijn gemaakt in de periode 2015-2017 in Hotel Breitner in Rotterdam.
Non-fictie
Nederlands | 185 pagina's | Trichis Publishing BV, Rotterdam | 2017
Gedrukt boek
Dirk W. de Jong Rock and soul deep south
Overzicht in woord en beeld van muzikanten en steden in het diepe zuiden van de Verenigde Staten. Het gebied waar de rock-'n-roll onstond.
Non-fictie
Engels | 168 pagina's | Concertobooks, Amsterdam | 2017
Gedrukt boek
Sémiotique et vécu musical
du sens à l’expérience, de l’expérience au sens
Nouvelles perspectives en sémiotique. Tout est musique, et la musique nous accompagne partout : ces lieux communs n'ont jamais été si vrais qu'aujourd'hui, au temps de l'arrosage musical continuel. Cette ubiquité, loin d'être simplement une mode, nous oblige à repenser sémiotiquement la fonction et le fonctionnement de la musique. Les essais composant Sémiotique et vécu musical montrent dans quelle direction se dirigent les recherches de nos jours. L'analyse de l'expérience musicale, par...
Non-fictie
Frans | 196 pagina's (PDF, 1,2 MB) | Leuven University Press, Leuven | 2017
E-book
William E. Caplin | James Hepokoski | James Webster Musical form, forms & Formenlehre
three methodological reflections
In Musical Form, Forms & Formenlehre: Three Methodological Reflections, three eminent music theorists consider the fundamentals of musical form. They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts and concerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First Symphony, Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture)....
Non-fictie
Duits | 180 pagina's (PDF, 3,8 MB) | Leuven University Press, Leuven | 2017
E-book
Wiebren Rijkeboer Americana outlaws
50 singer-songwriters uit de seventies
Korte schetsen van 50 weinig bekende singer-songwriters uit de jaren zeventig.
Non-fictie
Nederlands | 204 pagina's | Uitgeverij Kleine Uil, Groningen | 2017
Gedrukt boek
Rob Meershoek | Hans de Jong Hans de Jong 1932-2011
keramist
Overzicht van het werk van de Nederlandsekeramist (1932-2011) dat tevens inzicht geeft in de Nederlandse keramiek van de tweede helft van de twintigste eeuw.
Non-fictie
Nederlands | 157 pagina's | Kunsthandel Artentique, Zoetermeer | 2017
Gedrukt boek
Cornelis Le Mair Cornelis le Mair
een leven in beeld en kleur; oeuvrecatalogus
Rijk geïllustreerde overzichtscatalogus van het werk van de hedendaagse kunstenaar Cornelis Le Mair (1944), die hoofdzakelijk werkt in de stijl van de zeventiende eeuw (Rembrandt) en de prerafaëlieten.
Non-fictie
Engels | Nederlands | 264 pagina's | VanSpijk/Rekafa Publishers BV, Venlo | 2017
Gedrukt boek
Music, analysis, experience
new perspectives in musical semiotics
Transdisciplinary and intermedial analysis of the experience of music. Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well....
Non-fictie
Engels | 356 pagina's (PDF, 5,1 MB) | Leuven University Press, Leuven | 2017
E-book
Paulo C. Chagas Unsayable music
six reflections on musical semiotics, electroacoustic and digital music
Profound theoretical and philosophical approach to contemporary music. Unsayable Music presents theoretical, critical and analytical reflections on key topics of contemporary music including acoustic, electroacoustic and digital music, and audiovisual and multimedia composition. Six essays by Paulo C. Chagas approaching music from different perspectives such as philosophy, sociology, cybernetics, musical semiotics, media, and critical studies. Chagas's practical experience, both as a composer of...
Non-fictie
Engels | 300 pagina's (PDF, 4,9 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Alessandro Cervino The practice of practising
The process of practising is intrinsic to musical creativity. Practising may primarily be thought of as technical, but it is often also musically meaningful, including elements of interpretation, improvisation, and/or composition. The practice room can be a space in which to explore a field of creative possibilities; a place to experiment and to refine ideas. To date, the literature on practice has been primarily pedagogical and psychological. Little attention is paid to the significance of practice,...
Non-fictie
Engels | 92 pagina's (PDF, 6,6 MB) | Leuven University Press, Leuven | 2017
E-book
Barbara Titus Recognizing music as an art form
Friedrich Th. Vischer and German music criticism, 1848-1887
The impact of Hegelian philosophy on 19th-century music criticism. Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth...
Non-fictie
Engels | 270 pagina's (PDF, 3,1 MB) | Leuven University Press, Leuven | 2017
E-book
Steven Vande Moortele Two-dimensional sonata form
form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form...
Non-fictie
Engels | 220 pagina's (PDF, 6,8 MB) | Leuven University Press, Leuven | 2017
E-book
Ewald Demeyere Johann Sebastian Bach's art of fugue
performance practice based on German eighteenth-century theory
Analyse en achtergrondinformatie bij 'Kunst der Fuge' van J.S. Bach (BWV 1080), ten behoeve van de uitvoeringspraktijk, gebaseerd op Duitse theorieën uit de 18de eeuw.
Non-fictie
Engels | 254 pagina's (PDF, 4,1 MB) | Leuven University Press, Leuven | 2017
E-book
Unfolding time
studies in temporality in twentieth century music
Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in 'real time'; while for composers a work appears 'whole and entire', with the presence of the score having the potential to compress, and even eliminate, the perception of time as 'passing'. The paradoxical relationship between these two perspectives, and the subtle mediations...
Non-fictie
Engels | 198 pagina's (PDF, 12 MB) | Leuven University Press, Leuven | 2017
E-book
(Dis)embodying myths in Ancien Régime opera
multidisciplinary perspectives
The role of mythology in Ancien Régime opera. Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's La favola d'Orfeo (1607) and Christoph Gluck's Iphigénie en Tauride (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. (Dis)embodying Myths in Ancien Régime Opera highlights myth's chameleonic life in the Italian dramma per musica and French tragédie en...
Non-fictie
Engels | 184 pagina's (PDF, 4,9 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
New paths
aspects of music theory and aesthetics in the age of romanticism
New Paths, the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that Beethoven's op.47 not only should...
Non-fictie
Engels | 200 pagina's (PDF, 6,7 MB) | Leuven University Press, Leuven | 2017
E-book
2017